When the latest issue of Gitarr och Luta arrived in my mailbox and I turned to the article from my workshop, I felt a strong mix of joy, pride, and humility. To have my work featured in a magazine I have read and respected for many years means more to me than I can easily put into words.

Guitar building is, to a large extent, a solitary craft. Many hours are spent in silence, with hands in the wood—listening, adjusting, and reflecting. That is why it feels especially meaningful when someone takes the time to come close to the process, ask thoughtful questions, and truly try to understand both the craft and the ideas behind the instruments. The article in Gitarr och Luta managed to capture just that—not only the guitars, but also the workshop, the working process, and the feeling that drives me forward.

I am deeply grateful for the respectful and sensitive way the feature was created. The text and images reflect what I value most: slowness, care, and the joy of building instruments meant to be played, lived with, and allowed to age alongside their musicians.

I would also like to extend a sincere thank you to everyone who reached out after the article was published—with kind words, questions, and curiosity. It reminds me why I chose this path in the first place: the sense of community around music and craftsmanship.

Being able to share a small part of my work through Gitarr och Luta is something I carry with me back into the workshop, as added inspiration for future builds. Thank you.